Amati > Makers Archive > Janos Toth

Janos Toth

Auction price history

Highest auction price

£4,200

Type Details Sold Price
Viola Labelled Joannes Toth Fecit propria manu Anno 1942 N° 11, inscribed internally on the table and back Fri 1st March 2024 £4,200
Violin 35.9 cm Budapest, Mid-20th C. [Workshop of] Thu 1st April 2010 £1,807
Violin 35.8 cm Budapest, 1940 c. Sun 1st March 2009 £1,208
Violin Budapest, 1943 Sat 1st October 2005 £2,293
Violin Budapest, 1926 Wed 1st June 2005 £3,421
Violin Budapest,1926 op 98 Mon 1st November 2004 £1,323
Violin Budapest, 1943 Fri 1st October 2004 £2,386
Violin Budapest, 1934 Sat 1st May 2004 £1,544
Violin 1933 Fri 1st November 2002 £2,232
Violin 1938 Fri 1st November 1996 £1,812
Violin 1924 Tue 1st March 1988 £1,320
Violin 19-- and "Teresia Toth" Wed 1st June 1983 £385
Biographies

John Dilworth

TÓTH, János Born 1875 Magyarkanizsa, died 1944 Budapest Hungary. Very influential Hungarian maker. Son of a cabinet maker. Pupil of J. Braun in Szeged and Lutz in Vienna. Brief experiences in London and Paris also. Married in Debrecen and established for a short time in Szolnok, finally settled in Budapest from 1910, at 8 Kossuth Lajos Street. Widowed and remarried; his second wife Ilona Martá (above) succeeded to the business 1944. Prizes awarded in Budapest 1922 and Rome 1931. A very controversial and opinionated maker, he judged a well-made modern violin to be superior to a violin older than one hundred years. Published several instructional works: The Violin (Budapest, 1919), The problems of the Modern and Old Italian Violins (Budapest, 1926), Did Stradivari have Secrets?, The Problems of Making Concert Violins and The Art of Violin Making. Classical models, most often copies of Guarneri on a large form, showing excellent craftsmanship. Interior neatly finished in willow, with the linings spliced rather than morticed to the blocks. Purfling of various materials including whalebone and ebony; very accurately cut. Orange to red varnish, of amber resin base according to his own writings. Guarneri models usually with darker brown colours. Tóth devised a unique way of fastening the plates to the bench while being worked, and this results in four small pieces of under-edging being placed either side of the upper and lower block position on both plates. These are usually easily detectable. Some instruments signed internally. Joannes Tóth / fecit propria manu / anno 1921 Budapestini Op.70. / Quamquam novus sum, dulcius tamen cano / quolibet antique Straiduario Johannes Tóth / ad formam Ant. Stradivári / Budapestini anno 1927 [Benedek]

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